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Innovative Thinking and Idea Generation for Thought Leadership

Innovative thinking and idea generation help designers and strategists bridge uncertainty and vision. Let’s review the necessary skills for this process.

Welcome to the next installment in our ongoing series on thought leadership skills for designers and strategists. In previous posts, we’ve delved into the intricacies of thought leadership, exploring how it can influence decisions and shape the product experience vision. Today, we continue our journey by focusing on a pivotal aspect of this leadership journey – Innovative Thinking and Idea Generation.

In the first post of this series, we’ve highlighted the profound impact of innovative thinking and idea generation on visionary leaders. These skills are not mere tools in the creative toolbox but rather the compass guiding them through the complex landscape of modern design and strategy. Innovative thinking empowers leaders to embrace the uncertainties of their craft, while idea generation acts as a bridge from that uncertainty to a visionary future.

As we venture further into this exploration, we will unravel the core skills and techniques that underpin idea generation. From navigating ambiguity to framing problems effectively, these tools are instrumental in helping us carve a path toward visionary leadership. Just as a skilled artist transforms a blank canvas into a masterpiece, thought leaders wield their innovative thinking and idea-generation skills to create choices, envision possibilities, and drive innovation.

Join us in this journey as we unearth the secrets of these skills, backed by insights from renowned thought leaders and experts in the field. By the end of this post, you’ll be better equipped to harness the power of innovative thinking and idea generation, enabling you to become a more influential thought leader in your respective industry or niche. So, let’s dive into the world of creative thought and visionary leadership as we explore the importance of innovative thinking and idea generation.

TL;DR;

  • Innovative Thinking as a Pillar of Thought Leadership: Innovative thinking isn’t just a creative spark; it’s a foundational skill for thought leaders. Embracing uncertainty and ambiguity provides a canvas for ideation. Problem-framing guides the creative process. The importance of Vision keeps the team on the right track. Creating choices empowers thought leaders to explore alternatives. Facilitating good decisions ensures we are keeping our biases in check. Thought leaders excel in all these domains.
  • The Value of Reflective Decision-Making: A good decision isn’t just any decision; it’s one that aligns with goals, is informed by relevant information, prioritizes what matters, and is reflective, not reactive. The pitfalls of reactive thinking, such as being a first mover without consideration, mindlessly copying others, over-relying on customer feedback, and succumbing to information overload, are challenges thought leaders avoid. Great designers and strategists engage in reflective decision-making, carefully considering the significance of their choices and seeking expertise when needed.
  • The Power of Feedback and Critique: In the realm of design and strategy, feedback is the cornerstone of progress. It’s not just about the words spoken but the relationships built. Thought leaders invest in relationship-building and trust, enhancing the effectiveness of their feedback. They understand that critique is not a judgment but an opportunity to refine their work and benefit from multiple perspectives.

Over the course of 25 years, my experience has spanned across several areas of design. This includes graphic design for print media, creative direction for advertising, and user experience design for desktop, web, and mobile platforms. Throughout my career, I have encountered a number of common misconceptions regarding creativity:

  • Many people believe that creativity is an innate talent one has or doesn’t have. However, I strongly believe that creativity is a skill that can be developed and improved over time. It relies on techniques that can be learned, nurtured, and expanded upon.
  • I have realized that promoting innovation is not solely based on an individual’s creative ability but rather on the synergy of diverse thinking within a team. Even if you don’t consider yourself creative, your team can still benefit from your unique perspective. Leaders should encourage inclusive teamwork to generate new ideas.

With these myths debunked and creative realities established, let’s delve into the captivating realms of innovative thinking and idea generation. These twin concepts hold the power to not only shape the path to visionary leadership but also to influence decisions and drive innovation in the dynamic fields of design and strategy.

  • Innovative thinking equips leaders with the resilience to embrace the uncertainties and ambiguities inherent in their craft. It transforms these uncertainties into a canvas for ideation.
  • Idea generation, on the other hand, serves as the bridge from that uncertainty to a visionary future.

Together, they constitute the essence of thought leadership. As we embark on this journey, we’ll uncover the skills and techniques that thought leaders employ to transform abstract concepts into tangible choices, envision uncharted possibilities, and leave an indelible mark on their industries.

Embracing Uncertainty and Ambiguity

In the realm of design and innovation, uncertainty and ambiguity are constants. They’re not roadblocks but rather the raw materials from which visionary leaders sculpt their masterpieces. Let’s delve into this essential aspect of thought leadership, exploring the concept of dealing with uncertainty and ambiguity and how it shapes the design and innovation process.

Dealing with Uncertainty and Ambiguity: A Fundamental Challenge

Design is at the core of successful innovation. While working on innovation projects, designers have to deal with the uncertainty associated with complexity, multi-disciplinarity, and fluid desired outcomes that, in the early phases, are not – and are not supposed to be – foreseeable (Daalhuizen, J., Badke-Schaub, P., & Batill, S. M., Dealing with Uncertainty in Design Practice, 2009).

I’ve worked on innovative projects for well-known companies for over 25 years and observed that people vary widely regarding their ability to handle uncertainty. Some colleagues find comfort in knowing everything beforehand, while others thrive with a fuzzy notion of what they should do. The irony is that people who faced uncertainty well were usually more successful than those who didn’t.

Evolutionarily, the brain dislikes uncertainty, regarding it as a type of pain. The brain, therefore, tries to avoid uncertainty and, in its place, creates story upon story to explain it away (Small, A., & Schmutte, K., Navigating ambiguity, 2022).

This natural instinct to live is totally awesome. But it gives us a bias toward certainty and away from uncertainty. We have a natural tendency to prefer knowing over not knowing.

Small, A., & Schmutte, K., Navigating ambiguity (2022)

Small and Schmutte elaborate on our cognitive disposition to avoid uncertainty. The brain has an aversion to the unknown, perceiving it as a form of pain. To alleviate this discomfort, our brains construct narratives and stories, seeking clarity and certainty. This innate inclination, while a survival mechanism, often leads us away from the innovation and creative thinking that thrive in the face of uncertainty.

We are all wired to fear the downsides of uncertainty, but we forget that change, creation, transformation, and innovation rarely show up without some measure of it.

Furr, N., The upside of uncertainty (2022)

This is to say that this anxiety you are experiencing in the face of uncertainty and ambiguity is natural! You are not less competent or “weak” because of it! The first step towards building emotional resilience is acknowledging you are not your emotions!

It’s our job as designers to resist the chemical bias for certainty. Your brain naturally builds limiting beliefs about what is happening, and you must continually break through these ingrained beliefs to imagine something new. “And though that’s not particularly comfortable,” Patrice Martin, designer and former creative director at IDEO.org, says, “it allows us to open up creatively, to pursue lots of different ideas, and to arrive at unexpected solutions.” (Small, A., & Schmutte, K., Navigating ambiguity, 2022).

While I’ll provide some practical tips for dealing with uncertainty and ambiguity, I suggest you look inside yourself, take a deep breath, and not worry! You might be saying, That’s easy for you to say, “Don’t worry! Don’t be anxious?” You will say it’s easier said than done, so you might want to listen to someone a lot wiser than me:

“That is why I tell you not to worry about everyday life—whether you have enough food and drink, or enough clothes to wear. Isn’t life more than food, and your body more than clothing? Look at the birds. They don’t plant or harvest or store food in barns, for your heavenly Father feeds them. And aren’t you far more valuable to him than they are? Can all your worries add a single moment to your life?”

Jesus’ Sermon on the Mount, Matthew 6:25-27 NLT

That said, not worrying doesn’t make the world less uncertain and ambiguous, so you will need to learn to deal with uncertainty and ambiguity and not be paralysed by them!

Embracing Uncertainty as a Canvas for Ideation

Thought leaders understand that embracing ambiguity is the key to unlocking innovation. It’s akin to taking a blank canvas and filling it with possibilities. Rather than fearing the unknown, they appreciate its role in the creative process. Navigating uncertainty becomes a deliberate act of curiosity and exploration.

Nathan Furr, a recognized voice in innovation, points out that change, creation, transformation, and innovation are rarely found without some measure of uncertainty. In essence, they’re intertwined. Innovation seldom occurs within the boundaries of predictability. Instead, thought leaders recognize that to forge new paths, they must venture into uncharted territory.

The key to building the emotional resilience to deal with uncertainty and ambiguity is acknowledging you are not your emotions! One way to do that is to become aware of your tolerance to uncertainty and ambiguity by being mindful of your preferences and behaviours.

Intolerance for ambiguity is characterized by*Tolerance for Ambiguity is characterized by**
Need for categorizationNo need for categorization
Need for certaintyNeed for curiosity
Inability to allow good and bad traits to exist simultaneouslyEncouragement of good and bad traits to exist simultaneously
Acceptance of attitudes representing black-and-white life viewsRejection of attitudes representing black-and-white life views
A preference for familiar over unfamiliarA preference for unfamiliar over familiar
Rejection of the unusual or differentCelebration of the unusual or different
Early selection and maintenance of one solutionGeneration and exploration of many ideas
Premature closurePatience
*Bochner, Stephen. “Defining Intolerance of Ambiguity,” The Psychological Record, 1965.
** Furr, N., The upside of uncertainty (2022)

Instead of fearing and avoiding the unknown, you recognize and embrace it as the origin of possibility. It’s that simple.

Furr, N., The upside of uncertainty (2022)

Thought leaders do not allow uncertainty to deter them. They harness it, like a painter using every shade of color on their palette, to craft unique and visionary solutions. This approach to navigating ambiguity sets them apart in the world of design and innovation.

man wearing black and white stripe shirt looking at white printer papers on the wall

Dealing with Uncertainty and Ambiguity

Designers often find themselves with incomplete information about their users, the problem space, and its parameters. We must, therefore, be able to deal with Uncertainty and Ambiguity while not being paralyzed by them (Photo by Startup Stock Photos on Pexels.com)

In the next sections of this post, we will further explore the tools and techniques that visionary leaders employ to channel their innovative thinking in the midst of uncertainty and ambiguity. Stay with us as we uncover how these skills empower thought leaders to shape a more innovative and dynamic future.

The Art of Problem Framing

In the world of innovation and design, the significance of problem framing cannot be overstated. It’s a skill that separates thought leaders from the rest, a skill we’re about to delve into. But first, let’s understand why problem framing is pivotal in the creative process.

The Significance of Problem Framing in Creativity

In the words of Paul Sloane, it’s tempting to appear decisive by jumping straight to conclusions and making rapid decisions. However, such haste often leads to predictable outcomes based on existing assumptions and biases. This leaves little room for innovation. The true potential for groundbreaking ideas lies in the process of problem framing.

It’s tempting to appear decisive by jumping straight to the conclusion and making rapid decisions. But the chances are that those rapid decisions are predictable courses based on existing assumptions and prejudices, and that another chance for innovation as escaped.

Sloane, P., The leader’s guide to lateral thinking skills (2017)

Tina Seelig, a professor of creativity at Stanford University, compares problem framing to setting the stage for a play. How you frame the problem determines which solutions you’ll come up with. If you set the stage for a tragedy, you’ll find tragic solutions. But if your stage is one of comedy, you’ll discover humorous solutions. Thought leaders, just like seasoned directors, carefully craft the stage to influence the outcome.

Marty Neumeier further emphasizes this concept. He highlights that the art of designing solutions begins with the frame. Where you draw the boundaries of an investigation largely determines your conclusions and the approach you’ll take. Thought leaders recognize that the creative process starts with a clear problem frame, a well-defined canvas where they can explore and innovate.

The art of designing solutions starts with the frame. Where you draw the boundaries of an investigation will determine — in large part — what your conclusions will be and what kind of process you’ll use to get there.

Neumeier, M., Metaskills: Five talents for the future of work (2013)

Are there any universal technique for drawing the edges of a problem? Luckily, there are. Here’s a short course in the art of framing (Neumeier, M., Metaskills: Five talents for the future of work, 2013):

  1. View the problem from multiple angles. Like it or not, we all get stuck in our own belief systems. The easiest way to get free is to look at the problem from three positions: our own viewpoint (known as first position), other people’s viewpoints (known as second position), and the viewpoint from a higher-order system (known as metaposition).
  2. Develop a problem statement. Brevity and simplicity are key!
  3. List the knowns and unknowns. What are the known parameters of the problem? Can you visualize and name the parts? What are the relationships between the parts? What is the nature of the problem? Is it a simple problem? A complex problem? A structural problem? A communication problem? What remedies have been attempted in the past, and what they failed? Why bother solving the problem in the first place?
  4. Change the frame. What happens when you make the frame bigger or smaller? Or even swap it for another one?
  5. Make a simple model. Constructing a model is a practical way of visualising the key elements of a problem. Statistician George Box once said, “Essentially, all models are wrong, but some are useful”.

Avoiding Hasty Decisions and Focusing on Problem-Framing

Thought leaders are known for their deliberate approach to problem-solving. They avoid the rush to judgment and instead dedicate their efforts to thoroughly understanding the problem. This is where problem framing comes into play.

A brilliant solution to the wrong problem can be worse than no solution at all: solve the correct problem.

Norman, Donald A., The design of everyday things (2013)

It’s about taking the time to define the problem in its full context, asking questions that dig deeper into its roots. Thought leaders understand that by reframing the problem, they open up new avenues for creative thinking. They’re not content with the obvious or the surface-level issues. They strive to uncover the underlying complexities, knowing that innovation often resides there.

If you still are not sure if you hitting the right target (or the questions above may be a bit too direct to ask your stakeholders), here are a few suggestions to help you zero-in on the best direction (Shapiro, S., Invisible solutions: 25 Lenses that reframe and help solve difficult business problems, 2020):

  • Real Problem: do we really know the underlying problem we want to solve? Are we solving the root cause of the problem?
  • Real Business: what business are we really in? Who are our real competitors? What new technology can make us irrelevant?
  • Insights: what data would help reframe the question or provide insights into better solutions?
  • Variations: if your question implies that all customers/situations are treated the same, ask, “How can we address exceptions or rare cases in a different way?”
  • Observation: instead of asking our customers what they want, how can we observe them?

Framing and Reframing

Wedell-Wedellsborg stresses that the boundaries you establish for your investigation will shape your conclusions and guide the path you take to reach them. This is especially relevant in the world of design and innovation, where the possibilities are virtually limitless. Thought leaders are skilled at setting boundaries that drive their teams toward innovative solutions and prevent them from wandering aimlessly.

Sometimes, to solve a hard problem, you have to stop looking for solutions. Instead, you must turn your attention to the problem itself – not just to analyze it, but to shift the way you frame it. Reframing is seeing the current situation from a different perspective, which can be tremendously helpful in solving problems, making decisions, and learning. When people get stuck in a recurring issue, for example, in a complex situation or in solving a complex problem, it is rarely because they are missing a certain step-by-step procedure to fix things. Instead, it is often because they are stuck in how they see the situation (Wedell-Wedellsborg, T., What’s Your Problem?, 2020).

Is the Elevator too slow, or is the wait annoying? Problem Framing and Reframing in "What’s Your Problem?" (Wedell-Wedellsborg, T., 2020)
“The Elevator is too slow” in What’s Your Problem? (Wedell-Wedellsborg, T., 2020)

It’s important to note that reframing is different from analyzing a problem. Analysis — as I use the term here, is when you ask — “Why is the elevator slow?” and try to understand the various factors that influence the speed. Being good at analysis is about being precise, methodical, detail-oriented, and good with numbers (Wedell-Wedellsborg, T., What’s Your Problem?, 2020).

Reframing is a higher-level activity. It is when you ask, Is the speed of the elevator the right thing to focus on? Being good at reframing is not necessarily about the details. It is more about seeing the big picture and having the ability to consider situations from multiple perspectives.

Wedell-Wedellsborg, T., What’s Your Problem? (2020)

Rory Sutherland, Vice Chairman of Ogilvy Group, has delivered some hilarious, yet insightful TED Talks. In ‘Life lessons from an Ad man,’ he brings up the question of “How do we make the journey from London to Paris better?”

The engineering solution is to spend six billion pounds to build completely new tracks so that about 40 minutes can be saved from the three-and-half-hour journey time.

Rory’s imaginative way improving a train journey is not about making the journey shorter. His solution is…

Employ all of the world’s top male and female supermodels, pay them to walk the length of the train, handing out free Chateau Petrus for the entire duration of the journey. Now, people will ask for the trains to be slowed down.

Rory Sutherland
Rory Sutherland
It may seem that big problems require big solutions, but ad man Rory Sutherland says many flashy, expensive fixes are just obscuring better, simpler answers (Sutherland, R., Life lessons from an Ad man, 2010).

If you can define the problem differently than everybody else in the industry, you can generate alternatives that others aren’t thinking about.

Roger Martin

Reframing also helps to simplify a problem to stimulate new thinking. When we’re overburdened with a problem, we can get stuck in complexity. This often happens when we feel we know a problem inside out – we’ve spent plenty of time on it and have gone through the whole convoluted process of dismantling it, searching it and verifying that it’s the correct one (Griffiths, C., & Costi, M., The Creative Thinking Handbook: Your step-by-step guide to problem solving in business, 2019).

There are five nested strategies can help you find these alternative framing of the problem (Wedell-Wedellsborg, T., What’s Your Problem?, 2020):

  • Look outside the frame. Are there elements we are not considering? Is there anything outside the frame that we are not currently paying attention?
  • Rethink the goal. Is there a better goal to pursue?
  • Examine bright spots. Have we already solved the problem at least once? Are there positive outliers in the group? Who else deals with this type of problem? Can we broadcast the problem widely?
  • Look in the mirror. What is my/our role in creating this problem? Scale the problem down to your level. Get an outside view of yourself.
  • Take their perspective. You will get people wrong unless you invest genuine effort in trying to understand them. List the parties and listen to them. Escape your own emotions. Look for reasonable explanations.
yellow letter tiles

Problem Framing for Strategic Design

Learn more about problem framing techniques that can help you get team alignment by creating clarity of what problems they are trying to solve in Problem Framing for Strategic Design (Photo by Ann H on Pexels.com)

As we proceed through this blog post, we’ll continue to uncover the strategies and techniques thought leaders employ to harness the power of problem framing in the pursuit of innovation. Join us in this exploration, and discover how you can apply these principles to become a more influential thought leader in your field.

The Importance of Vision

In the world of design and innovation, the concept of Vision serves as a guiding star, directing the course of the creative process and decision-making. Let’s explore why a clear vision is not just important but essential and how it influences thought leadership. We’ll also reference insights from Maxwell and Fish to underline the significance of Vision.

A Beacon in the Creative Landscape

Have you ever been part of a team that didn’t seem to make any progress? Maybe the group had plenty of talent, resources, and opportunities, and team members got along, but the group never went anywhere? If you have, there is a strong possibility that the situation was caused by a lack of vision (Maxwell, J. C., The 17 indisputable laws of teamwork, 2013).

A clear vision is like a lighthouse in the vast sea of ideas and possibilities. It provides a sense of direction, a purpose, and a destination. Vision is not merely a lofty idea; it’s a fundamental component of leadership, as John C. Maxwell emphasizes.

Great vision precedes great achievement. Every team needs a compelling vision to give it direction. A team without vision is, at worst, purposeless. At best, it is subject to the personal (and sometimes selfish) agendas of its various teammates.

Maxwell, J. C., The 17 indisputable laws of teamwork (2013)

Just to make sure I’m not misunderstood — as my colleague Anton Fischer usually says — it doesn’t matter at that point if the team lacks a vision or the vision is just poorly communicated, the result is the same: the team will lack engagement and slowly drift apart.

A global study conducted in 2012 involving 300,000 employees found that just over half did not really understand the basics of their organizations’ strategies (Zook, C., & Allen, J., Repeatability, 2012). Given the effort applied to strategy development, there is a massive disconnect here. The opportunity to reconnect a firm with its strategy lies in how the strategy is communicated and understood (Callahan, S., Putting Stories to Work, 2016).

Six Strategic Questions, adapted from "Strategy Blueprint" in Mapping Experiences: A Guide to Creating Value through Journeys, Blueprints, and Diagrams (Kalbach, 2020).
Six Strategic Questions, adapted from “Strategy Blueprint” in Mapping Experiences: A Guide to Creating Value through Journeys, Blueprints, and Diagrams (Kalbach, 2020).

Thought leaders recognize that a well-defined vision is the compass that keeps the team on course. It clarifies the complex connections within a strategy and articulates the product’s future intended destination. Just as Maxwell suggests, a lack of Vision can render a team unproductive, despite having ample talent, resources, and opportunities. Vision is the cohesive force that aligns individual efforts toward a common goal.

Advocating and Facilitating Vision

Thought leaders not only understand the importance of Vision but actively advocate for it. They champion the need for a compelling product vision that goes beyond words and charts. Thought leaders are skilled in facilitating the creation of these visions, not as a one-time event but as an ongoing practice.

Designers should advocate for the importance of vision and facilitate the creation of product visions that explain a strategy’s complex connection and express the product’s future intended destination. (Fish, L., Kiekbusch, S., “The State of the Designer” in The Designer’s Guide to Product Vision, 2020).

Furthermore, thought leaders facilitate the creation of product visions. They bring diverse stakeholders together, ensuring that the strategy’s intricate connections are understood and that the product’s intended destination is well articulated. In essence, they act as visionaries who not only have a vision themselves but also inspire others to see and work towards that Vision.

Shared vision creates the common language that helps you work together.

Govella, A., Collaborative Product Design (2019)

Making sure organizations and designers share the same vision is crucial to the success of any design project. A “shared project vision” means (Calabretta, G., Erp, J. V., Hille, M., “Designing Transitions: Pivoting Complex Innovation” in Strategic Design, 2016):

  • There is widespread clarity in the stakeholders’ and designers’ understanding of the project goals and direction.
  • There is widespread clarity in the stakeholders’ and designers’ understanding of the approach taken during project implementation.

The design team needs to assess the extent to which the challenge at hand is driven by a vision that is shared by asking three questions (Calabretta, G., Erp, J. V., Hille, M., “Designing Transitions: Pivoting Complex Innovation” in Strategic Design, 2016):

  • Is there a project vision? Does the company have a clear view of the project direction and where it fits into the raison d’être (the “why”) of the company? How exactly will the project help the company fulfill its why? A satisfactory answer to this question should emerge during the early stages of a strategic project when the brief is formulated. A lack of clear-cut answers to these questions usually signals the absence of a strong, cohesive project vision.
  • Is the project a good fit with the organization’s wider goals? Sometimes, the project vision does not align with the KPIs or primary goals that the organization has expressed elsewhere. This usually happens – for example – when a trend emerges, and organizations may act impulsively because they are afraid to miss out on what they see as an opportunity for growth.
  • Is the vision shared across the company? If there is a clear project vision, is there widespread awareness and alignment within the company? Can various departments move in the same direction during project setup and implementation?
four types or projects, four types of leadership
How do you deal with the different circumstances for the different project types? Using the ownership questions, each strategic design project can be plotted on the vision/ownership matrix, and designers can adjust their leadership accordingly (Calabretta, G., Erp, J. V., Hille, M., “Designing Transitions: Pivoting Complex Innovation” in Strategic Design, 2016)

It doesn’t matter at this point if the team lacks a vision or the vision is just poorly communicated, the result is the same: the team will lack engagement and slowly drift apart.

beach bench boardwalk bridge

Strategy and the Importance of Vision

Learn more about importance of vision for creating shared understanding around why are we bringing a product to market in the first place (Photo by Pixabay on Pexels.com)

In the upcoming sections of this post, we’ll continue to explore how thought leaders harness the power of Vision to influence decisions and drive innovation. Stay with us as we unravel the strategies and techniques they employ to make a lasting impact in the world of design and strategy.

Creating Choices

In the intricate world of design and strategy, the ability to make informed choices is a linchpin of success. This section explores the concept that both strategy and product development hinge on the quality of choices made, referencing notable experts like Lafley, Martin, Garrett, and Buxton. We will delve into why designers must explore and compare alternatives, and how thought leaders discern the importance of these choices.

The Essence of Choices in Strategy and Product Development

At the core of both strategy and product development lies the art of decision-making. It’s not merely about making decisions; it’s about making the right ones. A.G. Lafley and Roger L. Martin, known for their work in strategic management, emphasize that a good decision should help an individual get closer to their goals. It must be based on the most relevant information available and align with the priorities that matter to the person.

Strategy is a set of choices about winning that uniquely positions the firm in its industry so as to create sustainable advantage and superior value relative to the competition.

Lafley, A.G., Martin, R. L., “How Strategy Really Works” in Playing to Win: How Strategy Really Works (2013)

Both strategy and product development are marathons, made up of numerous sprints and decisions along the way. The nature of these decisions varies from large-scale strategic choices to smaller, tactical ones. Thought leaders recognize that each choice, whether big or small, contributes to the overall user experience, and quality decisions at all levels are paramount.

It is crucial that designers engage with their business stakeholders to understand what objectives and unique positions they want their products to assume in the industry, and the choices that they are making in order to achieve such objectives and positions.

Exploring and Comparing Alternatives

In the creative realm, it’s essential for designers to embrace the idea of exploring and comparing alternatives. This concept is rooted in the understanding that there is rarely just one path to a solution. As Jesse James Garrett and Bill Buxton suggest, at any given time or question, there can be numerous different alternatives being considered. Thought leaders are adept at considering a variety of options, recognizing that the decision-making process is a dynamic one.

Design is about exploring and comparing merits of alternatives. There is not just one path, and at any given time or any given question, there may be numerous different alternatives being considered, only one of which will eventually find itself in the product.

Buxton, B., Sketching user experiences: Getting the design right and the right design (2007)

Without multiple solutions to any question, the process is highly vulnerable. Without the ability to see all the work at once, spread out, relationships will be missed, and the conversation and subsequent designs will suffer. (Buxton, B., Sketching user experiences: Getting the design right and the right design, 2007).

Your decision can be no better than your best alternative.

“Create imaginative alternatives” in Smart choices: A practical guide to making better decisions, Hammond, J. S., Keeney, R. L., & Raiffa, H. (2015)

In our decisions, we select alternatives with the greatest value as we see it. Thus, to reach decision quality, the list of alternatives should be large and varied enough to include a full range of possibilities. They should be good alternatives, meaning they are (Spetzler, C., Winter, H., & Meyer, J., Decision quality: Value creation from better business decisions, 2016):

  • Creative. The decision should include creative alternatives that are not immediately obvious or in line with conventional thinking. They are outside the box. Creative thinking often uncovers alternatives with enormous and unexpected potential value.
  • Significantly different. Alternatives should not be minor variations but significantly different from one another in ways that truly matter. A significantly different alternative challenges current ways of thinking and approaches the problem in a novel way.
  • Representative of a broad range of choices. Two alternatives are seldom sufficient. Alternatives should cover the full range of possible choices because one never knows in advance where the greatest source of value may be hidden.
  • Reasonable contenders for selection. Each alternative should be one that could actually be selected. In a good set of alternatives, there is no place for decoys, patently inferior alternatives that serve no purpose but to make some other alternative look good by comparison. Nor is there a place for outlandish alternatives that will surely be rejected. However, we shouldn’t be too quick in dismissing an alternative just because we assume it will be vetoed. An alternative that is logical, represents real value, and is properly presented may be competitive with other options.
  • Compelling. Every alternative should represent enough potential value that it will generate interest and excitement. An alternative is compelling when it inspires at least one person to say, “We really should take a careful look at this.”
  • Feasible. A feasible (doable or actionable) alternative is one that can actually be implemented. If it isn’t feasible, it doesn’t belong on the alternatives list. That said, half-baked alternatives should not be dismissed too early before feasibility has been explored appropriately.
  • Manageable in number. Three alternatives are generally better than two, and four are likely to be better than three. It doesn’t follow, however, that 20 alternatives are better than 4. As we’ll see later, each alternative must be analyzed, evaluated, and compared with other choices. What we need is a manageable set of alternatives, one that covers the range of distinctly different choices while being within our ability to analyze and compare. In relatively simple decision problems, three or four alternatives may be enough, whereas more complex decision problems may require four to seven or more.

Exploration of alternatives is not about wandering aimlessly; it’s a deliberate act. Thought leaders understand that this exploration involves evaluating the merits of different options, comparing their strengths and weaknesses, and assessing how each aligns with the overarching Vision. The recognition that multiple solutions can exist for a single problem empowers thought leaders to approach the design process with an open mind.

The Thought Leader’s Approach to Informed Choices

Thought leaders don’t leave decisions to chance. They recognize that the choices they make can impact the user experience, the product’s success, and the overall strategy. Informed choices are the bedrock of their approach.

To make informed choices, thought leaders diligently gather data and insights, consult experts, and seek feedback. They also consider the long-term impact of their decisions and weigh the costs. As they assess the significance of a decision and evaluate its potential consequences, they make well-considered choices that align with their Vision and strategy.

At the organisational level, one of the goals of the leaders should be to help organizations multiply their options — to an appropriate extend. Too many options and you can become paralysed when trying to make a decision. Too few you may be cornered into a course of action that doesn’t work for you (“Multiply your possibilities” in The decision maker’s playbook. Mueller, S., & Dhar, J., 2019).

At the team level, teamwork can make or break a collaborative project and affects all of the design activities, particularly in selecting design alternatives and resolution of conflicts (Cross, N., & Cross, A. C., Observations of teamwork and social processes in design in Design Studies,, 1995).

One of the most difficult things for a group of people to do is to choose what to do and what not to do. We’ve all sat around with a group of friends feeling frustration as a discussion of where to eat or where to drink drags on… the problem is without a clear framework for making choices, endless conversations will always happen (Courtney, J., The Workshopper Playbook: How to Become a Problem-Solving and Decision-Making Expert, 2020).

Methods for Creating Choices

Now that you know the importance of generating alternatives, here are some of my favorite methods for creating choices:

Six Thinking Hats – a concept articulated by Edward de Bono – is a powerful tool for brainstorming and innovation. By breaking down thoughts into six parallel or lateral areas, it allows for a greater diversity of thought, from gut feeling to data analysis. By using these six types of thinking in a structured way, groups can more effectively approach problem-solving. The method can generate new ideas, test the fitness of existing ones, and allows a team to find their blind spots (learn more about the Six Thinking Hats Workshop).

Design Studio provides a creative problem-solving method where designers, developers, and critical stakeholders create and explore design alternatives through sketching (learn more about it at Strategy, Feedback and Design Reviews).

Integrative Thinking is a discipline and methodology for solving complex or wicked problems. Professor Roger Martin defines integrative thinking as “…the ability to face the tensions of opposing models constructively, and instead of choosing one at the expense of the other, generating a creative resolution of the tension in the form of a new model that contains elements of the individual models, but is superior to each.” (learn more about it at Strategy and the Art of Creating Choices).

aisle architecture building business

Strategy and the Art of Creating Choices

Learn more about how designers can step up to the plate and become skilled facilitators who help teams create choices (Photo by Pixabay on Pexels.com)

In the next sections of this post, we will continue to explore the strategies and techniques thought leaders employ to navigate the decision-making process with finesse. Join us as we uncover how these skills empower thought leaders to drive innovation and influence decisions in the ever-evolving landscape of design and strategy.

Facilitating Good Decisions

In the realm of design and strategy, the ability to facilitate good decisions is a hallmark of thought leadership. This section explores the characteristics of a good decision, the pitfalls of reactive thinking, and the strategies thought leaders employ to make informed choices. We’ll also reference insights from experts like Bucher and Griffiths to emphasize the importance of reflective decision-making.

Characteristics of a Good Decision

A good decision is a multifaceted concept, and thought leaders understand its key characteristics. According to Bucher and Griffiths, a good decision possesses several qualities:

  1. Alignment with Goals: A good decision should align with the individual or organizational goals. It should move you closer to your intended destination, whether it’s a strategic milestone or a product development objective.
  2. Informed by Relevant Information: Thought leaders are well-versed in seeking and using the most relevant information available. They understand that decision-making without adequate data can lead to suboptimal choices.
  3. Prioritizes What Matters: Good decisions are based on priorities. Thought leaders ensure that their choices reflect what truly matters, both in the short term and the long term.
  4. Reflective, Not Reactive: One of the pitfalls thought leaders avoid is reactive thinking. They recognize that making decisions in the heat of the moment or in response to external pressures can lead to suboptimal choices.

The Pitfalls of Reactive Thinking

Reactive thinking is a common trap that thought leaders are keen to avoid. As Chris Griffiths and Carolyn Costi highlight in The Creative Thinking Handbook, this type of thinking often leads to the following pitfalls:

  • Being a First Mover: Rushing into action without adequate reflection can lead to hasty decisions. Thought leaders recognize that being the first mover in the market doesn’t always guarantee success and can even be destructive. Business is a marathon comprised of sprints, not a single sprint.
  • Mindlessly Copying Others: Blindly following the crowd or imitating competitors rather than consciously creating one’s own future can stifle innovation. Thought leaders understand the value of originality.
  • Over-Reliance on Customer Feedback: Relying too heavily on customer input can lead to making only incremental changes. Thought leaders understand that customers may not always know what they want until they see it, and they balance feedback with their own Vision.
  • Information Overload: Thought leaders recognize that the information age can be overwhelming. They avoid the tendency to react instantly to the flood of data and take a more considered approach to decision-making.

Reflective Decision-Making

Thought leaders are champions of reflective decision-making. They understand that the quality of a decision is often more important than its speed. Reflective decision-making involves taking the time to evaluate the significance of a decision. It includes asking probing questions, reframing the problem when necessary, and considering the potential impacts and costs.

In the context of design and strategy, thought leaders assess the window of opportunity for a decision. They determine how long a decision will impact the project and how deep that impact will be. This understanding helps them decide whether patience and rigor are required or if a quick decision is more valuable, especially in competitive environments (Berkun, S., Making things happen: Mastering project management, 2008):

  • What problem is at the core of the decision? Decisions often arise in response to new information, and the initial way the issue is raised focuses on the acute and narrow aspects of the problem. It’s important to ask probing questions. For example, the problem might be defined initially as “we don’t have time to fix all 50 known bugs we’ve found”, but the real issue is probably “we have no criteria for how to triage bugs.” Redefining the decision (or problem reframing) into a more useful form improves decision quality. Being calm in response to a seemingly urgent issue helps make this happen. Ask questions like “What is the cause of this problem? Is it isolated, or will it impact other areas? Whose problem is it? Which goals in the vision don’t put at risk? Did we already make this decision in the space? If so, do we have good reasons to reconsider now?”
  • How long will this decision impact the project? How deep will the impact be? A big decision (such as the direction of the vision) will impact the entire project. A small decision (such as what time to have a meeting or what the agenda should be) will impact a small number of people in a limited way. If it’s a long-term decision (and the impact is big), patience and rigor are required. It’s a short-term decision with shallow impact; go for speed and clarity based on a clear sense of the strategic decision made in the vision.
  • If you’re wrong, what is the impact/cost? What other decisions will be impacted? If the impact is small or negligible, there isn’t much to lose. However, this doesn’t mean you should start flipping coins. For aspects of the project, such as usability or reliability, quality comes from many small decisions being aligned with each other. The phrase “death by a thousand cuts” comes from this situation, whether it’s not one big mistake that gets us: it’s the many tiny ones. So you must — at least — consider whether the choice is truly isolated. If it isn’t, it’s best to try to make several choices at once.
  • What is the window of opportunity? If you wait to make the decision, it can be made for you – routes will close and options will go away. In this universe, big decisions don’t necessarily come with greater amounts of time to make them. Sometimes, you have to make tough strategic decisions quickly because of the limited window of opportunity. Sometimes, the speed of making a decision is more important than the quality of the decision itself (specially in competitive environments). Quick action can shift what in military terminology is called “the burden of uncertainty”: by taking early action, you force the competitor (or partner) to respond.
  • Have we made this kind of decision before? This is the arrogance test. If someone where to put you in an emergency room and asked you to perform heart bypass surgery, how confident would you be? There is no shame in admitting arrogance: it generally takes courage to do so. There will be times when you have no idea how to do something. Don’t hide it or let anyone else hide it. Instead, identify that you think the team, or yourself, is inexperienced with this kind of choice and needs outside help (or more time). If a leaders admits ignorance, she makes it OK for everyone else to do the same.
  • Who has the expert decision? Is this really my decision? Just because someone asks you to decide something doesn’t mean you are the best person to make the call. You are better at some decision than others, so don’t relay on your own decision making limitations. Never be afraid to pick up the phone and call the people who know more than you about an issue. At least ask for their consultation and bring them into the discussion. Consider delegating the choice entirely to them: ask whether they think it’s their call to make or yours.
  • Whose approval do we need? Whose feedback do we want/need before we decide? The larger the organization, the ore overhead costs there are around decisions. A trivial decision can become complex when the politics of stakeholders come into play. A good test of your authority is how often trivial decisions require approvals or the formation of committees. The more processes there are around decisions, the more you must work through influence rather than decree. There are political costs to decision that have nothing to do with technology, business, or customer considerations, and the impact of a decision includes them.

Instincts and Biases

In part, we fail to make good decisions because of glitches in our thinking , including deep-seated biases that produce troubling lapses in logic. Each of us fall prey to these glitches to some degree, no matter how logical or open-minded we believe ourselves to be (Riel, J., & Martin, R. L., Creating great choices. 2017).

These glitches in our thinking — most often than not — makes you pay more attention to information that supports what you already believe or want to be true, while at the same time snubbing information that would challenge your current thinking. This type of thinking error leads you to (Griffiths, C., & Costi, M., The Creative Thinking Handbook: Your step-by-step guide to problem solving in business, 2019):

  • Go into denial and ignore blatant facts. You avoid asking tough questions and discount new information that might put your favourite ideas or theories to the test (confirmation bias).
  • Stop at the first ‘right’ answer and so miss out on a multitude of possible answers you could find if you bothered to look.
  • Get overly attached to pet ideas, even if they don’t turn out to be all that great.
  • Be made a fool of by your own expectations. You interpret the future based on what you expect to happen – and are caught off guard by what actually happens!
  • Avoid taking risks owing to fear of losing (loss aversion). Rather than being driven by what you can gain, you’re more worried about what you might lose. As a result, you sidestep exciting opportunities and rebuff innovative suggestions.
Cognitive Bias Codex in Every Single Cognitive Bias in One Infographic (Desjardins, J., 2021)

One way to avoid such traps is — obviously — to beware of such biases and keep asking questions.

With regards to biases, here are a few to be aware of (Hammond, et al. The Hidden Traps in Decision Making, 2013):

  • The Anchoring Trap leads us to give disproportionate weight to the first information we receive.
  • The Status-quo Trap biases us towards maintaining the current situation – even when better alternatives exist.
  • The Sunk-Cost Trap inclines us to make choices in a way that justifies past choices, even when these were mistakes.
  • The Confirming-Evidence Trap leads us to seek out information supporting an existing predilection and to discount opposing information.
  • The Framing Trap occurs when we misstate a problem, undermining the entire decision-making process.
  • The Overconfidence Trap makes us overestimate the accuracy of our forecasts.
  • The Prudence Trap leads us to be overcautious when we make estimates about uncertain events.
  • The Recallability Trap prompts us to give undue weight to recent, dramatic events.

The connection among decisions you make lies not in what you decide, but how you decide. An effective decision-making process takes into consideration these 8 elements (Hammond, J. S., Keeney, R. L., & Raiffa, H., Smart choices: A practical guide to making better decisions. 2015):

  • Work on the right decision problem: how you frame your decision at the outset can make all the difference. To choose well, you must state your decision problems carefully, acknowledging their complexity and avoiding unwarranted assumptions and option-limiting prejudices (learn more about problem framing).
  • Specify your objectives: ask yourself what you most want to accomplish and which of your interests, values, concerns, fears, and aspirations are most relevant to achieving your goal. Thinking through your objectives will direct your decision-making (learn more about the importance of vision).
  • Create imaginative alternatives: your alternatives represent the different courses of action you have to choose from. Your devious can Ben no better than your best alternative (learn more about the Art of Creating Choices).
  • Understand the consequences: how well do your alternatives satisfy your objectives? Assessing frankly the consequences of each alternative will help you to identify those that best meet your alternatives — all your alternatives (learn more about discussing consequences in Feedback and Design Reviews).
  • Clarify your uncertainties: what could happen in the future, and how likely will it be? Effective decision-making demands that you confront uncertainty, judge the likelihood of different outcomes, and assess their possible impacts (learn more about uncertainty in Dealing with Uncertainty and Ambiguity).
  • Think hard about your risk tolerance: people vary in their tolerance of risks and, depending on the stakes involved, in the risks they will accept from one decision to the next. A conscious awareness of your willingness to accept risk will make your decision-making process smoother and more effective (learn more about risk tolerance in Strategy, Pivot and Risk Mitigation).
  • Consider linked decisions: What you decide today could influence your choices tomorrow, and your goals for tomorrow should influence your choices today. Thus, many important decisions are linked over time. The key to dealing effectively with linked decisions is to isolate and resolve near-term issues while gathering the information needed to result from those that will arise later. By sequencing your actions to fully exploit what you learn along the way m you will be doing your best, despite an uncertain world, to make smarter choices.
banking business checklist commerce

Strategy and Facilitating Good Decisions

Learn more about Facilitating Good Decisions (Photo by Pixabay on Pexels.com)

In the upcoming sections of this post, we will continue to explore the strategies and techniques thought leaders employ to facilitate good decisions in the context of design and strategy. Join us as we uncover how these skills empower thought leaders to drive innovation and influence decisions in the ever-evolving landscape of creative thought.

Design Reviews and Critiques

In the dynamic field of design and strategy, the role of feedback is paramount, and thought leaders understand that effective communication and critique play pivotal roles in refining their work. This section delves into the importance of feedback, referencing insights from experts like Connor, Greever, and Conger to highlight the significance of relationship-building and persuasion in this process. We will also explain how thought leaders should value critique as a means to enhance the quality of their work and influence others.

The Role of Feedback in the Design Process

Feedback is the lifeblood of the design process. It serves as a mirror reflecting the strengths and weaknesses of a design, guiding its evolution. Effective feedback facilitates communication and ensures that the creative endeavor remains aligned with its intended purpose.

Feedback is an important part of the design process, but the term itself and the way we often ask for it is very broad and can produce conversations that aren’t useful.

Connor, A., & Irizarry, A., Discussing Design (2015)

As experts like Andrew Connor and Tom Greever stress, feedback isn’t a monolithic entity; it’s a nuanced conversation. The way feedback is delivered and received can greatly impact its effectiveness. Establishing strong relationships and building trust are essential components of effective feedback. This is where the art of persuasion, as articulated by Jay A. Conger, comes into play.

Building Relationships and Trust

Thought leaders recognize that feedback is not just about the words spoken but also the relationships built. Effective communication, as emphasized by Tina Seelig, a professor of creativity at Stanford University, is more than the words you use; it’s about trust and rapport. These are the elements that speak louder than words.

The single most important thing you can do to improve communication between you and your stakeholders is to improve those relationships, earn trust, and establish rapport. These will speak more for you than the words that come out of your mouth in a meeting.

Greever, T., Articulating Design Decisions (2020)

I couldn’t agree more with Greever (2020) when he says it’s ironic that UXers are so good at putting the user first, garnering empathy for and attempting to see the interface from the user’s perspective. Yet, we often fail to do the same thing for the people who hold the key to our success.

Just as Tom Greever suggests, thought leaders work on establishing relationships and earning trust, which, in turn, enhances the effectiveness of their feedback. By building a culture of trust, thought leaders create an environment where team members feel comfortable sharing their ideas and concerns, ultimately contributing to the creative process.

Value of Critique in Thought Leadership

Thought leaders don’t just seek praise; they actively value critique as a means to improve their work. Andrew Connor and Arin Irizarry point out in Discussing Design that critique goes beyond casual conversation about a project. It allows designers to present their current solutions and receive feedback. Thought leaders understand that it’s better to have preliminary work critiqued by colleagues while there’s still time to make adjustments. In essence, critique is seen as an opportunity to refine, not as a judgment of one’s abilities.

The ultimate goal for teams that are interested in improving conversations and collaboration with critique is not to add one more tool or type of meeting to their ever-growing toolbox. Instead, it’s to change the way we talk about what we’ve designed regardless of the type of meeting or conversation we’re in.

Connor, A., & Irizarry, A., Discussing Design (2015)

As Bill Buxton, a renowned expert in human-computer interaction, puts it, it’s better to have your project reviewed by peers or mentors before it’s presented to the public. Thought leaders recognize the value of multiple perspectives and how they can uncover overlooked aspects or suggest alternative solutions.

It is better to have your preliminary work critiqued by your colleagues while there is still time to do something about it — no matter how difficult the criticism might be — than to have the finished project torn apart by strangers in public.

Buxton, B., Sketching user experiences: Getting the design right and the right design (2007)

Beyond the benefits we get from the analysis done in the critique, it
also helps teams to do the following (Connor, A., & Irizarry, A., Discussing Design, 2015):

  • Build shared vocabularies, making communication more efficient
  • Find consensus based on product objectives when deciding between multiple design options.
  • Inform and drive iteration on design aspects where they are most needed.

What Critique Looks Like

There are two sides, or roles, in any critique (Connor, A., & Irizarry, A., Discussing Design, 2015):

  • Recipient: The individual(s) receiving the critique (that is, the designer or presenter of whatever is being analyzed) who will take the perspectives and information raised during the critique, process it, and act upon it in some way.
  • Giver: The individual(s) giving the critique (the critics) who are being asked to think critically about the design and provide their thoughts and perspectives.

Within both of these roles, there is the discrete aspect of intention: why are we asking for/receiving/giving feedback? Intent initiates conversation and is often what separates successful critiques and feedback discussions from problematic ones (Connor, A., & Irizarry, A., Discussing Design, 2015).

If we’re going to be successful at communicating with people about our designs, we must be able to answer these three questions about our work (Greever, T., Articulating Design Decisions, 2020):

  • What problem does it solve?
  • How does it affect the user?
  • Why is it better than the alternative?

The purpose of answering these questions is more of an exercise in getting you to understand your choices than it is a prescriptive method for documenting them. Don’t worry too much about the details of how you write them down. If you can answer these three questions, you’ll be well on your way to defending your decisions with the people who influence your project. These answers will form the basis of your response to every stakeholder’s concerns about your designs (Greever, T., Articulating Design Decisions, 2020).

As opposed to a casual conversation about a project, a Critique allows the designers to present their current solution and then express concerns or ask specific questions about it. Reviewers are invited to respond in a clear way that addresses the designers’ needs.

LUMA Institute, Innovating for People: Handbook of Human-Centered Design Methods (2012)

In the context of a structured Critique — which allows for both positive and negative feedback — people are more likely to share suggestions for improvement since the design team has formally solicited them. A good critique can be both eye-opening and inspiring (LUMA Institute, Innovating for People: Handbook of Human-Centered Design Methods, 2012).

letters on wooden cubes

Strategy, Feedback and Design Reviews

Influencing larger decisions that shape strategy starts with the smallest of decisions, including how to facilitate and incorporate feedback to designs to drive product vision forward (Photo by Ann H on Pexels.com)

In the next sections of this post, we will continue to explore the strategies and techniques thought leaders employ to harness the power of feedback and critique in the design and strategy realms. Join us as we unveil how these skills empower thought leaders to drive innovation and influence decisions in the ever-evolving landscape of creative thought.

Call to Action

Now that we’ve explored the intricate world of innovative thinking, idea generation, and the thought leadership skills required for designers and strategists, it’s time to put these concepts into action. Here’s your call to action:

  1. Start with Self-Reflection: Begin your thought leadership journey by reflecting on your current skills and areas for growth. Identify your strengths, such as exceptional problem-solving or creativity, and acknowledge your areas for improvement, like communication or adaptability. For example, you could use self-assessment tools, such as the StrengthsFinder or DISC assessment, to gain insight into your strengths and areas for development, or you could use methods like Reflection in Action.
  2. Practice Innovative Thinking: Embrace uncertainty and ambiguity as your allies in the creative process. Apply these concepts to your work by actively seeking out projects with ambiguous goals or venturing into unfamiliar territory. For example, if you’re a UX designer, explore designing for emerging technologies like augmented reality or voice interfaces, where uncertainty is high.
  3. Master Problem Framing: Resist the urge to make hasty decisions. Instead, invest time in framing problems effectively, setting the stage for innovative solutions. When faced with a complex problem, take a step back and analyze it from various angles. For instance, if you’re in project management, use techniques like Five Whys to dig deeper into the root cause of issues and frame the problem more precisely.
  4. Cultivate Vision: Recognize the profound impact of a clear vision. Advocate for the importance of vision in your projects by actively participating in vision-setting sessions or guiding your team in creating a compelling product vision. As a strategist, ensure that your strategies are aligned with the organization’s long-term vision.
  5. Explore and Compare Alternatives: Apply the wisdom from “V. Creating Choices” to your daily work. Whenever you’re making design or strategy decisions, deliberately brainstorm alternative approaches. As a product manager, create a habit of evaluating multiple solutions for a specific problem before settling on one.
  6. Facilitate Good Decisions: Learn the art of reflective decision-making. Consider the significance of each choice you make in your role as a designer or strategist. Seek expertise when needed – if you’re unsure about a particular aspect of your project, don’t hesitate to consult with specialists or colleagues who can provide insights.
  7. Harness Feedback and Critique: Develop your skills in giving and receiving feedback. Establish strong relationships and trust with your team members by actively listening to their perspectives and providing constructive feedback. As a UX designer, engage in usability testing and incorporate user feedback to improve your design.

Other Skills for Aspiring Thought Leaders

Remember, this post is just one of many of our thought leadership series. In the upcoming posts, we’ll dive deeper into the intricacies of effective communication, team collaboration, adaptability, and more. Stay engaged with us as we uncover the strategies and techniques that empower thought leaders to navigate the ever-evolving landscape of design and strategy.

As I mentioned in the first post of this series, great ideas are not enough to be a successful thought leader. Skills that amplify their impact are crucial. Aspiring leaders must develop exceptional abilities, such as effective communication and emotional intelligence, to transform their vision into tangible results. Check out the other articles of this series to learn about the crucial skills that will have designers and strategists influence the decisions that drive product experience visions forward:

  • Mastering Effective Communication. Thought leaders possess the remarkable ability to communicate their ideas clearly and persuasively. Their words are not just informative; they’re inspirational. The capacity to convey complex concepts that resonate with diverse audiences is a hallmark of their influence. Effective communication bridges the gap between innovative insights and their practical application, inviting others to be part of the journey [read more about Presentation and Storytelling Skills].
  • Innovative Thinking and Idea Generation. Central to thought leadership is the skill of thinking beyond the obvious. Innovators don’t merely accept the status quo; they challenge it. They see possibilities where others see constraints. Thought leaders embrace this skill, consistently generating ideas that shape the future and pioneering approaches that set trends rather than follow them.
  • Demonstrating Expertise and Credibility. Being a thought leader means going beyond asserting expertise; it’s about proving it. Thought leaders earn credibility through their work, consistently delivering results that align with their insights. This requires not only a deep understanding of their field but also the acumen to translate that knowledge into tangible outcomes [read more about Demonstrating Expertise and Credibility]
  • Managing and Adapting to Change. In a rapidly evolving world, thought leaders are agile navigators. They thrive amidst change and uncertainty, adapting their strategies and insights to fit new contexts. This adaptability ensures that their influence remains relevant and dynamic, making them valuable voices in ever-changing industries [read more about Managing and Adapting to Change].
  • Building a Supportive Network. Thought leadership is not a solitary pursuit. It’s about fostering a community of like-minded individuals who share a passion for change. Cultivating a network of supporters, collaborators, and advocates extends a thought leader’s reach and multiplies the impact of their ideas [read more about Building a Supportive Network].
  • Cultivating Emotional Intelligence. Behind every strategic decision, there’s a foundation of emotional intelligence. Thought leaders understand the power of empathy, conflict resolution, and self-awareness. This emotional acumen forms the connective tissue that binds their influence, enabling authentic relationships and guiding effective leadership [read more about Cultivating Emotional Intelligence Skills].

Recommended Reading

Berkun, S. (2008). Making things happen: Mastering project management. Sebastopol, CA: O’Reilly Media.

Bucher, A. (2020). Engaged: Designing for Behavior Change, Rosenfeld Media; 1st edition (March 3, 2020)

Buxton, B. (2007). Sketching user experiences: Getting the design right and the right design. San Francisco, CA: Morgan Kaufmann.

Calabretta, G., Gemser G., Karpen, I., (2016) “Strategic Design: 8 Essential Practices Every Strategic Designer Must Master“, 240 pages, BIS Publishers; 1st edition (22 Nov. 2016)

Connor, A., & Irizarry, A. (2015). Discussing Design (1st ed.). Sebastopol, CA: O’Reilly Media.

Courtney, J. (2020). The Workshopper Playbook: How to Become a Problem-Solving and Decision-Making Expert. AJ&Smart

Daalhuizen, J., Badke-Schaub, P., & Batill, S. M. (2009). Dealing with Uncertainty in Design Practice: Issues for Designer-Centered Methodology. DS 58-9: Proceedings of ICED 09, the 17th International Conference on Engineering Design (pp. 147–158). Stanford University.

Garrett, J., (2010), “The Elements of User Experience: User-Centered Design for the Web and Beyond, 192 pages, New Riders; 2nd edition (16 Dec. 2010)

Greever, T. (2020). Articulating Design Decisions (2nd edition). Sebastopol, CA: O’Reilly Media.

Griffiths, C., & Costi, M. (2019). The Creative Thinking Handbook: Your step-by-step guide to problem-solving in business. London, England: Kogan Page.

Hammond, J. S., Keeney, R. L., & Raiffa, H. (2015). Smart choices: A practical guide to making better decisions. Boston, MA: Harvard Business Review Press.

Harvard Business Review. (2017). The Harvard business review manager’s handbook: The 17 skills leaders need to stand out. Boston, MA: Harvard Business Review Press.

Maxwell, J. C. (2007). The 21 irrefutable laws of leadership: Follow them and people will follow you. Nashville, TN: Thomas Nelson.

Mueller, S., & Dhar, J. (2019). The decision maker’s playbook: 12 Mental tactics for thinking more clearly, navigating uncertainty, and making smarter choices. Harlow, England: FT Publishing International.

Riel, J., & Martin, R. L. (2017). Creating great choices: A leader’s guide to integrative thinking. Boston, MA: Harvard Business Review Press.

Spetzler, C., Winter, H., & Meyer, J. (2016). Decision quality: Value creation from better business decisions. Nashville, TN: John Wiley & Sons.

Wedell-Wedellsborg, T., (2020) “The Elevator Problem”, in What’sYour Problem?: To Solve Your Toughest Problems, Change the Problems You Solve, 215 pages, Publisher: Ingram Publisher Services (17 Mar 2020)

By Itamar Medeiros

Originally from Brazil, Itamar Medeiros currently lives in Germany, where he works as VP of Design Strategy at SAP, where he leads the design vision for the entire Human Capital Management product line, ensuring cohesive product narratives and establishing best practices.

Working in the Information Technology industry since 1998, Itamar has helped truly global companies in multiple continents create great user experience through advocating Design and Innovation principles. Itamar has also served as a juror for prestigious design competitions and lectured on design topics at universities worldwide.

During his 7 years in China, he promoted the User Experience Design discipline as User Experience Manager at Autodesk and Local Coordinator of the Interaction Design Association (IxDA) in Shanghai.

Itamar holds a MA in Design Practice from Northumbria University (Newcastle, UK), for which he received a Distinction Award for his thesis Creating Innovative Design Software Solutions within Collaborative/Distributed Design Environments.

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