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Design in China: First Post-Production Training Center in China Equipped with Autodesk Solutions

The Animation Public Technical Service Platform of Shanghai (APTSP) has created China’s first post-production training center, to grow high-end animation and post-production public services, train local talent and showcase innovative technology. APTSP offers complete, data-centric workflows that include Autodesk Flame and Autodesk Inferno visual effects systems, Autodesk Smoke editorial finishing system, and Autodesk Lustre digital color-grading system […]

The Animation Public Technical Service Platform of Shanghai (APTSP) has created China’s first post-production training center, to grow high-end animation and post-production public services, train local talent and showcase innovative technology. APTSP offers complete, data-centric workflows that include Autodesk Flame and Autodesk Inferno visual effects systems, Autodesk Smoke editorial finishing system, and Autodesk Lustre digital color-grading system.

Small and medium-sized companies have access to APTSP’s technology and services, thereby reducing their startup and operating costs. With five Autodesk Certified Instructors, the organization is also nurturing creative talent in education and business sectors. Established a year ago, APTSP is a joint investment by the central and Shanghai governments. With an initial investment of RMB 45 million (6.5 million USD), APTSP provided over 17,000 hours of service to more than 470 companies in Shanghai and the Yangtze River Delta region. It has also attracted project cooperation from other regions, including Hong Kong and Australia. Having fulfilled the Phase I investment targets in 2008, APTSP received follow-up state funding of RMB 10 million (1.5 million USD) in 2009.

“APTSP’s Phase II funding is being used to augment the capacity for digital content creation,” said Zhang Weida, chief operating officer of APTSP. “We’ve expanded our post-production technology offering, to benefit local businesses with their high- and medium-end media and entertainment projects.”

“Autodesk is honored to be working with the Chinese central and local governments to develop the nation’s media and entertainment industry,” said Paresh Khara, senior director, Autodesk Media & Entertainment – Asia. “Through APTSP, local companies are accessing world-class technology and delivering sophisticated broadcast, film and animated content. We look forward to continued collaboration with APTSP.”

In 2008, entrusted by the Shanghai Animation Film Studio, APTSP delivered a film remake of the Chinese animated classic “Gourd Brothers“, using Autodesk visual effects and 3D software. The APTSP also completed post-production on the Chinese animated film “The Magic Aster” (“Ma Lan Hua“), released in June 2009. APTSP used Smoke, Inferno and Lustre on the project, with a collaborative editing, coloring and finishing workflow and centralized data management. Made by Shanghai Film Group and Shanghai Animation Film Studio, “The Magic Aster” is an adaptation of the popular 1950s stage play of the same name. The film is part of the milestone works celebrating China’s 60th anniversary.

By Itamar Medeiros

Originally from Brazil, Itamar Medeiros currently lives in Germany, where he works as VP of Design Strategy at SAP, where he leads the design vision for the entire Human Capital Management product line, ensuring cohesive product narratives and establishing best practices.

Working in the Information Technology industry since 1998, Itamar has helped truly global companies in multiple continents create great user experience through advocating Design and Innovation principles. Itamar has also served as a juror for prestigious design competitions and lectured on design topics at universities worldwide.

During his 7 years in China, he promoted the User Experience Design discipline as User Experience Manager at Autodesk and Local Coordinator of the Interaction Design Association (IxDA) in Shanghai.

Itamar holds a MA in Design Practice from Northumbria University (Newcastle, UK), for which he received a Distinction Award for his thesis Creating Innovative Design Software Solutions within Collaborative/Distributed Design Environments.

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